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The musical landscape in South Africa is vibrant and diverse, owing to a long history of African, American and European musical forms mixing, evolving and entertaining local populations over the decades. The country’s indigenous musical heritage is celebrated in a host of genres, including jazz, kwaito, rock, amapiano, and reggae. Despite a long period of apartheid, this rich musical heritage has never been more accessible than it is now, thanks to a series of recent re-issues.
“Manenberg” by Abdullah Ibrahim (Dollar Brand) is an essential song of the anti-apartheid struggle. It was the unofficial anthem of the anti-apartheid movement and remains one of the most important and best South African songs of all time. This soaring piece of art was composed in the 1960s and it is a testament to the bravery, courage and dedication of those who fought against apartheid.
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Another essential South African song is “This Land is Mine” by Ladysmith Black Mambazo. This incredible isicathamiya group shot to fame in the 1970s with their first album, Amabutho, which became the first gold record made by black musicians. The group remained popular throughout the next few decades, especially after Paul Simon featured them on his widely successful Graceland album.
Other popular South African songs include “Mbube” by Solomon Linda and the evocative “Mkhulu” by Yvonne Mantya. Both are examples of the way that traditional Xhosa culture is being reinvigorated by the new generation of musos. The latter, such as the awe-inspiring Yvonne Mantya, have been able to translate ancient Xhosa cultural traditions to a modern audience.
The ongoing law reform in South Africa aims to lift the economic prospects of local performers/artists by safeguarding their economic interests in an age of technology and globalisation. The process has been fraught with tensions and it is not clear whether the final outcome will be beneficial for the music industry. It’s not an exaggeration to say that the outcome of these law reforms will determine the future of the South African music industry. This is a crucial moment and we hope that the outcome will be positive for South Africa’s creative community. As such, it is imperative that the government takes a holistic approach to this issue. The current polarised debates around intellectual property rights are not conducive to a productive and healthy dialogue. Rather, the focus should be on protecting the cultural integrity of the nation. This will ensure that South Africa’s music legacy is preserved for generations to come. This is a vital aspect of our national identity and it should be protected at all costs.